When Zen Flesh, Zen Bones was published in 1957 it became an instant sensation with an entire generation of readers who were just beginning to experiment with Zen. Over the years it has inspired leading American Zen teachers, students, and practitioners. Its popularity is as strong today as ever.
Zen Flesh, Zen Bones is a book that offers a collection of accessible, primary Zen sources so that readers can struggle over the meaning of Zen for themselves. It includes 101 Zen Stories, a collection of tales that recount actual experiences of Chinese and Japanese Zen teachers over a period of more than five centuries; The Gateless Gate, the famous thirteenth century collection of Zen koans; Ten Bulls, a twelfth century commentary on the stages of awareness leading to enlightenment; and Centering, a 4,000 year-old teaching from India that some consider to be the roots of Zen.

Do the rapidly expanding genres of digital literature mean that the narrative mode—novels, films, television drama—is losing its dominant position in our culture? Author Espen Aarseth eases our fears of literary loss (at least temporarily) by pointing out that electronic text requires an interactive response to generate a literary sequence. Where's the fun if you have to write your own ending? 21 illustrations.

"Flatland" has fascinated generations of readers. It is a deft mixture of social satire and science fiction that continues to pose provocative questions about perception and reality. "Flatland" is a brilliant parody of Victorian society where all existence is limited to length and breadth - its inhabitants unable even to imagine a third dimension. The amiable narrator, A Square, provides an overview of this fantastic world - its physics and metaphysics, its history, customs and religious beliefs. But when a strange visitor mysteriously appears and transports the incredulous Flatlander to the Land of Three Dimensions, his world view is forever shattered.

This nationally-acclaimed book shows how popular movements used nonviolent action to overthrow dictators, obstruct military invaders and secure human rights in country after country, over the past century. Peter Ackerman and Jack DuVall depict how nonviolent sanctions-such as protests, strikes and boycotts-separate brutal regimes from their means of control. They tell inside stories-how Danes outmaneuvered the Nazis, Solidarity defeated Polish communism, and mass action removed a Chilean dictator-and also how nonviolent power is changing the world today, from Burma to Serbia.

This text on aesthetics includes major sections on: Art, Society, Aesthetics; the Categories of the Ugly, the Beautiful, the Technics; Natural Beauty; Coherence and Subject-Object; and Towards a Theory of the Artwork.

The Grene and Lattimore edition of the Greek tragedies has been among the most widely acclaimed and successful publications of the University of Chicago Press. On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks.

For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions.

All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.

In the "Oresteia" - the only trilogy in Greek drama which survives from antiquity - Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos. Moving from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, its spirit of struggle and regeneration is eternal.

Beginning with Dante's liberation from Hell, "Purgatory" relates his ascent, accompanied by Virgil, to the Mount of Purgatory - a mountain of nine levels, formed from rock forced upwards when God threw Satan into depths of the earth. As he travels through the first seven levels, Dante observes the sinners who are waiting for their release into Paradise, and through these encounters he is himself transformed into a stronger and better man. For, it is only when he has learned from each of these levels that he can ascend to the gateway to Heaven: the Garden of Eden. The second part of one of the greatest epic poems, "Purgatory" is an enthralling Christian allegory of sin, redemption and ultimate enlightenment.

Over the course of his long directing career, Woody Allen has portrayed contemporary American life with an unmistakable mixture of irony, neurotic obsession, and humor. Woody Allen on Woody Allen is a unique self-portrait of this uncompromising filmmaker that offers a revealing account of his life and work. In a series of rare, in-depth interviews, Allen brings us onto the sets and behind the scenes of all his films. Since its original publication, Woody Allen on Woody Allen has been the primary source of Allen's own thoughts on his work, childhood, favorite films, and inspirations. Now updated with one hundred pages of new material that brings us up to his Hollywood Ending, Woody Allen on Woody Allen is a required addition to any cinephile's library.

Gilgamesh, King of Uruk, and his companion Enkidu are the only heroes to have survived from the ancient literature of Babylon, immortalized in this epic poem that dates back to the 3rd millennium BC. Together they journey to the Spring of Youth, defeat the Bull of Heaven and slay the monster Humbaba. When Enkidu dies, Gilgamesh's grief and fear of death are such that they lead him to undertake a quest for eternal life. A timeless tale of morality, tragedy and pure adventure, "The Epic of Gilgamesh" is a landmark literary exploration of man's search for immortality.

The Upanishads, the earliest of which were composed in Sanskrit between 800 and 400 bce by sages and poets, form part of the Vedas - the sacred and ancient scriptures that are the basis of the Hindu religion. Each Upanishad, or lesson, takes up a theme ranging from the attainment of spiritual bliss to karma and rebirth, and collectively they are meditations on life, death and immortality. The essence of their teachings is that truth can by reached by faith rather than by thought, and that the spirit of God is within each of us - we need not fear death as we carry within us the promise of eternal life.

In these three dialogues, renowned for their dialectical structure and linguistic precision, Anselm sets out his classic account of the relationship between freedom and sin-its linchpin his definition of freedom of choice as "the power to preserve rectitude of will for its own sake." In doing so, Anselm explores the fascinating implications for God, human beings, and angels (good and bad) of his conclusion that freedom of choice neither is nor entails the power to sin.

In addition to an Introduction, notes, and a glossary, Thomas Williams brings to the translation of these important dialogues the same precision and clarity that distinguish his previous translation of Anselm's Proslogion and Monologion, which Professor Paul Spade of Indiana University called "scrupulously faithful and accurate without being slavishly literal, yet lively and graceful to both the eye and ear."

Apuleius's Golden Ass is a unique, entertaining, and thoroughly readable Latin novel—the only work of fiction in Latin to have survived from antiquity. It tells the story of the hero Lucius, whose curiosity and fascination for sex and magic results in his transformation into an ass. After suffering a series of trials and humiliations, he is ultimately returned to human shape by the kindness of the goddess Isis. Simultaneously a blend of romantic adventure, fable, and religious testament, The Golden Ass is one of the truly seminal works of European literature, of intrinsic interest as a novel in its own right, and one of the earliest examples of the picaresque. This new translation is at once faithful to the meaning of the Latin, while reproducing all the exuberance of the original.